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2020 | 1Schalten und Walten
ZMK Zeitschrift -
30.01.2019This Year’s Model. Thinking the Reproduction of Obsolescence with Simondon
Michael CuntzIKKM Lectures -
13.06.2018Mobile Phone Eavesdropping: Historicizing and Theorizing the Cell Site Simulator.
Lisa ParksIKKM Lectures -
30.05.2018“A Thing that Connects with the Voices that are Talking”: Marlene by Maximilian Schell (Germany, 1984)
Stefanie DiekmannIKKM Lectures -
15.11.2017Operative Ontologies: Notations as Orders of Performance
Ute HollIKKM Lectures -
2017 | 2Operative Ontologien
Gene, Gehirn, Archiv. Über den Ort der menschlichen Natur im Humanethologischen FilmarchivVinzenz HedigerZMK Zeitschrift -
01.02.2017Polyphonies in Space - Diving into Time Pointillismus
Silvia Fômina , Thomas SchneiderIKKM Lectures -
30.11.2016Psychoanalysis and Techne
Viktor MazinIKKM Lectures -
08.07.2015Disappearing Master
Wladimir VelminskiIKKM Lectures -
2015 | 1Textil
Klangteppiche. Transmediale Verhältnisse zwischen Weberei und MusikBirgit SchneiderZMK Zeitschrift -
21.01.2015Sound Carpets. Symbolic Relations between Weaving and Music
Birgit SchneiderIKKM Lectures -
2014 | 2Synchronisation
Anwesend/Abwesend. Formen der Präsenz in der MikrophonieDaniel GethmannZMK Zeitschrift -
2014 | 2Synchronisation
Sync Sound/Sink Sound. Audiovision und Synchronisation in Michael Snows - Rameau’s Nephew by Diderot (Thanx to Dennis Young) by Wilma SchoenJan Philip MüllerZMK Zeitschrift -
22.05.2013Attachment, Agencements: A Pragmatist Inquiry into Things that Matter
Antoine HennionIKKM Lectures -
07.11.2012New Wine in Old Wineskins: The Rise and Fall of Early Sync Sound Systems
Rick AltmanIKKM Lectures -
06.06.2012Temporal Affects: Performance, Agency and the Aesthetics of Real Time
Chris SalterIKKM Lectures -
02.05.2012Synchronous Asynchronicity: Intermedial Aesthetics and Colonial Modernity at the Transition to Sound
Weihong BaoIKKM Lectures